Old master paintings

Canvas, 57 x 71 cm
Signed : Juan de Arel… (lower middle)
Hoogsteder & Hoogsteder, The Hague

Canvas, 105 x 95,
private collection.

Van Beijeren paid his tailor three paintings in 1652.

Canvas, 80.5 x 65 cm
Private collection

Canvas, 73.2 x 60 cm
Signed : C.BERGOYS 166. (lower left)
Hoogsteder & Hoogsteder, The Hague

Canvas, 67,5 x 50,5 cm
Hoogsteder & Hoogsteder, The Hague

Canvas, 136 x 106 cm
Signed and dated: M. Bloem fc a 1668 (lower left)
Hoogsteder & Hoogsteder, The Hague

Canvas, 101.5 x 124.5 cm
Hoogsteder & Hoogsteder, The Hague

Signed and dated: A PC 1651 (lower left)
Panel, 52,5 x 84 cm
Hoogsteder & Hoogsteder, The Hague

Canvas, 33.6 x 45 cm
Indistinctly signed upper left
Painted circa 1655
Hoogsteder & Hoogsteder, The Hague

Canvas, 84 x 115 cm
Painted circa 1665-1670
Signed : I. van Duijnen (on table top)
Hoogsteder & Hoogsteder, The Hague

Signed J.P. Gillemans fe Londini 1673 or 1678 (centre, on pedestal)
Canvas, 78 x 65 cm
Kunsthandel Hoogsteder & Hoogsteder, The Hague

Gillemans was well able to paint his own landscapes as backgrounds for his still lifes. That is clearly evident in this painting, which is also in our collection. The trees, the foliage and the sky are painted with more accuracy than Rijsbraeck would have used. Yet it does not appear to have produced a greater sense of unity in the work. Gillemans and Rijsbraeck managed to harmonise their brushwork and use of colour so effectively that their paintings are all the better for their collaboration.

Canvas, 31,5 x 49,5 cm
Hoogsteder & Hoogsteder, The Hague

Canvas, 72.5 x 56.5 cm
Painted circa 165.
Monogrammed: J:f (?)

Canvas: 73 x 60 cm
Painted: c. 1660

Hoogsteder & Hoogsteder, The Hague

Panel, 21 x 27.5 cm
Hoogsteder & Hoogsteder, The Hague

Private Collection, courtesy Hoogsteder & Hoogsteder, The Hague

Canvas, 86 x 108 cm
Monogrammed and dated: BH 165 (?) 0
Hoogsteder & Hoogsteder, The Hague

Canvas, 68.5 x 55.5 cm
Painted circa 1790
Signed : Van Leen f. (lower left)
Hoogsteder & Hoogsteder, The Hague
After restoration

Canvas, 57 x 46.5 cm
Painted circa 1680/1700
Signed : Naiveu (left on plinth)
Hoogsteder & Hoogsteder, The Hague

Panel, 58.2 x 44.5 cm
Signed : J Van Os fecit (lower left)
Hoogsteder & Hoogsteder, The Hague

Panel, 56 x 44.5 cm
Signed: H Reekers.18/41. (lower right, on stone ledge)
Hoogsteder & Hoogsteder, The Hague

Canvas, 56.5 x 48.6 cm
Signed : Rachel Ruysch
Hoogsteder & Hoogsteder, The Hague

canvas, 53.5 x 45 cm.
Previously attributed to Ernst Stuven.
Hoogsteder & Hoogsteder.

This intimate flower piece radiates simplicity, peace and silent beauty. Here the carefully arranged bouquet only contains a modest number of large flowers. Unlike many still lifes of the early seventeenth century, this is not a rigid, symmetrical composition; here the flowers fan out playfully across the picture. Some flowers are shown from the side, while a large rose is seen from the back. This adds to the natural, life-like effect of the bouquet. At the hart of the bouquet is a snail, from which all the flowers seem to radiate. The shape of the snail is echoed in the rosebud on the right. Just imagine the painting without the rosebud, and its importance soon becomes clear: suddenly the bouquet is cut off from the grapes, destroying the work’s unity. The dull shine of the blue grapes, depicted with such a delicate rendering of texture, reflects the accomplished deep-red of the carpet.

Canvas, 120 x 175 cm
Painted: c. 1610-1620
Hoogsteder & Hoogsteder, The Hague

The sculpture by an anonymous master

Canvas, 155 x 114 cm
Hoogsteder & Hoogsteder, The Hague

Canvas, 88 x 68.5 cm

Oil on silk, 54 x 43.2 cm
Monogrammed and dated: JUT 1824 (lower right)
Hoogsteder & Hoogsteder, The Hague

Panel, 41.5 x 37.5 cm
Painted circa 1650-1655
Hoogsteder & Hoogsteder, The Hague

Panel, 76 x 63, 5 cm
Signed : MWithoos (lower right; first two letters joined)
Hoogsteder & Hoogsteder, The Hague

Canvas, 75 x 60,5 cm
Hoogsteder & Hoogsteder, The Hague